Sometime in 1993, a now-forgotten Massachusetts label with a Bazooka Joe ripoff logo put out this 4 song EP. It was a bit of a Massachusetts supergroup, being a songwriting partnership between Lou Barlow (of Sebadoh) and Eric Matthews (of Cardinal and a generally under-the-radar solo career). The glue holding it together is Bob Fay, who later would perform in both Cardinal and Sebadoh. But strangely this slips through the cracks of history despite its total excellence. 'Judas Suicide' sets the pace with three distinct sections, merging hypnotic teenage angst with cult-like devotion. Maybe I'm just timewarping back to high school but I'm still a bit shocked at how natural this sounds despite the mood shifts. My eyes wideneds and ears tingled as I clutched my Mexican Telecaster, with this dubbed to my Walkman. Do kids still feel this way anymore or has the digital Myspace era taken all of that away? 'Pocket Skylab Love' mines some territory not far from My Dad is Dead, but with a somewhat more home-spun feel, if possible. But the gem is side two track one -- 'Mary Hair'. Early 90's indierock songwriting rarely hits such magical peaks -- 'King of the roadtrip, no defrocking' and the Beastie Boys are there, and despite fart jokes and cheapass distortion pedals, this is my adolescence captured in a two minute song. Actually, it's what I thought my post-adolescence could be. I was wrong as hell, but I'm thankful for the goal. 'Girl Who Reads' rounds it out with a bit of aggression, like Tar meeting 'God Told Me' from
Sebadoh III. These days I only give two shits about Lou Barlow when revisiting this 91-93 New England-centric period -- but this may be my single favorite entry in his discography. Eric Matthews is mostly relegated to background vocals (w/Fay) but I think he certainly had a hand in crafting 'Mary Hair'. The Cardinal LP (an equally awesome project, particularly because the partner is the incredibly singular talent of Richard Davies) found an audience after all these years, getting a deluxe CD reissue. I don't know where this Beltbuckle EP will end up in in the narrative continuum since it's just a tossed off side-project, but for something tossed off, there's an incredible unity in the songwriting.